Representation of Lian Namang Music In The Besi Pare Ritual With An Ecofeminist Approach

Music is a universal language that can penetrate space and time. However, traditional music requires semi-improvisation to adjust environmental conditions. Lian Namang's for the Lamaholot community tells some of life philosophies predecessor community. One type Namang used in tradition personify feminine figure mythology goddess rice. musical lyrics rice require contextuality with times. In connection phenomenology occurs culture, patriarchal culture becomes dominant domination nature women, it necessary hold contextual representations based on so they have persuasive influence respecting women as womb life. The results research are medium represent ecofeminist movement, which aims society responding culture. Masculine representation not only seen centre (androcentric) dominates uses fragmented nature. mukti trilila theory one foundations helps humans continue adapt their knowledge skills times, noble values passed down from generation generation.